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And the new Bond is blond. Daniel Craig has comfort ably slipped into the tuxedo, size , and left audiences shaken and stirred. When Bond kills an adversary in a hotel stairwell, the violence is nasty and brutal - and you feel bystander Vesper's shock and revulsion too.

She doesn't merely wince and get over it, as so many of her predecessors did; she's clearly traumatised. Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world.

This is a much more serious Bond than we've seen in many years. Daniel Craig inhabits the dark side of the secret agent really well, he is absolutely the best Bond since Connery.

Craig's humanised, more flawed interpretation of the role balances Campbell's physical direction and co-writer Paul Haggis's sparing wit, while Eva Green provides an alluring love interest.

Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.

Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.

Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.

Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.

Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place.

The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series. The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.

Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.

Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.

It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by. But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.

Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.

Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting.

It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.

The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become.

Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.

For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful. All of which brings us to Daniel Craig as Bond.

While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films.

While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. Thrilling Cities Ian Fleming Häftad.

No Ian Fleming Häftad. Skickas inom vardagar. Fri frakt inom Sverige för privatpersoner. They are easier to fight for than principles.

But Bond soon discovers that there is far more at stake than money. Kundrecensioner Har du läst boken? Live and Let Die Ian Fleming.

Das Frühstück war ok. Alles vorhanden was man unter einem guten Frühstück versteht. Previous image of the property Next image of the property.

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Hotel Royal This rating is a reflection of how the property compares to the industry standard when it comes to price, facilities and services available.

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Most Popular Facilities Pet friendly. Lock in a great price for your upcoming stay Get instant confirmation with FREE cancellation on most rooms!

Availability We Price Match. When would you like to stay at Hotel Royal? Reservations longer than 30 nights are not possible.

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Thanks for your response. Double Room 1 queen bed. Triple Room 1 twin bed and 1 full bed. Just booked in Elmshorn: See availability Hotel surroundings — Show map.

Closest Landmarks Stadttheater Elmshorn. Kulturwerk Norderstedt City Museum. Norderstedt Mitte underground station. Niendorf Nord underground station.

Closest Airports Hamburg Airport. Most Popular Landmarks Volksparkstadion. Are you missing any information about this area?

Why book with us? Outdoors Sun deck Terrace. Pets Pets are allowed. General Heating Safe Non-smoking rooms Newspapers.

Languages Spoken English German. What topic s do you want to know more about? Hairdryer Bathroom features shower, bathtub, etc.

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Children and Extra Beds All children are welcome. There is no capacity for extra beds in the room. Cards accepted at this hotel Hotel Royal accepts these cards and reserves the right to temporarily hold an amount prior to arrival.

See availability The Fine Print. Reception is open until 11pm from Monday to Saturday, and until 8pm on Sundays. Please contact the hotel in advance if you intend to arrive outside of these hours.

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Single Room 1 twin bed. Select everything you want to know more about. What do you want to know about the options you selected? Thanks for your time!

Your feedback will help us improve so you can book more easily next time. Thanks for your response. Double Room 1 queen bed. Triple Room 1 twin bed and 1 full bed.

Just booked in Elmshorn: See availability Hotel surroundings — Show map. Closest Landmarks Stadttheater Elmshorn.

Kulturwerk Norderstedt City Museum. Norderstedt Mitte underground station. Niendorf Nord underground station. Closest Airports Hamburg Airport.

Most Popular Landmarks Volksparkstadion. Are you missing any information about this area? Why book with us? Outdoors Sun deck Terrace.

Pets Pets are allowed. General Heating Safe Non-smoking rooms Newspapers. Languages Spoken English German. What topic s do you want to know more about?

Hairdryer Bathroom features shower, bathtub, etc. Policies Pet policies Cancellation policies Couples policies are unmarried individuals allowed?

Other Enter your feedback. Thanks for your help! Your opinion helps us figure out what kinds of info we should ask properties for. See availability House Rules Hotel Royal takes special requests — add in the next step!

Children and Extra Beds All children are welcome. There is no capacity for extra beds in the room. Cards accepted at this hotel Hotel Royal accepts these cards and reserves the right to temporarily hold an amount prior to arrival.

See availability The Fine Print. Reception is open until 11pm from Monday to Saturday, and until 8pm on Sundays.

Please contact the hotel in advance if you intend to arrive outside of these hours. What information would be helpful? Enter your feedback Submit.

Show reviews by score: All review scores Awesome: Recommended Date newer to older Date older to newer Score higher to lower Score lower to higher.

Open your list Keep your lists forever. If you sign in or create an account , you'll unlock unlimited access to your lists from any computer, tablet or smartphone.

They won't go away unless you say so. Enter a destination to start searching. No children 1 child 2 children 3 children 4 children 5 children 6 children 7 children 8 children 9 children 10 children.

I'm traveling for work. How to get to Hotel Royal from Hamburg Airport. Free parking is available. Like this one but not totally sure yet?

See all guest reviews for Hotel Royal. Stayed in October Stayed in September In the process of being renovated, partly unfinished but still charging full price, staff not knowledgeable, room full of flies Stayed in August Stayed in August Staff is friendly and ready to help Stayed in August Nothing Stayed in May Friendly staff, clean, really comfy beds.

Beds super comfy, cheap, clean Stayed in December Stayed in July Stayed in April I like evely thing Comfortable and nice place Stayed in April The Best of Elmshorn Click here to see more hotels and accommodations near popular landmarks in Elmshorn.

Almost all the the good stuff i heard about Casino is true. It is indeed one of the best Bonds ever and I'm really looking forward to the next installment.

Now - I hate when people say this but here goes - this movie was just too darn long. Don't even TRY to introduce a romance two hours into a film.

More Top Movies Trailers Forums. Season 7 Black Lightning: Season 2 DC's Legends of Tomorrow: Season 4 The Deuce: Season 2 Doctor Who: Season 11 The Flash: Season 3 Saturday Night Live: Season 4 The Walking Dead: Part of the Collection: View All Videos 1.

View All Photos James Bond's first mission takes him to Madagascar, where he is to spy on a terrorist Mollaka.

Not everything goes as planned and Bond decides to investigate, independently of the MI6 agency, in order to track down the rest of the terrorist cell.

Following a lead to the Bahamas, he encounters Dimitrios and his girlfriend, Solange. He learns that Dimitrios is involved with Le Chiffre, banker to the world's terrorist organizations.

Secret Service intelligence reveals that Le Chiffre is planning to raise money in a high-stakes poker game in Montenegro at Le Casino Royale.

MI6 assigns to play against him, knowing that if Le Chiffre loses, it will destroy his organization. At first skeptical of what value Vesper can provide, Bond's interest in her deepens as they brave danger together--and even torture at the hands of Le Chiffre.

The marathon game proceeds with dirty tricks and violence, raising the stakes beyond blood money and reaching a terrifying climax. PG for intense sequences of violent action, a scene of torture, sexual content and nudity.

Daniel Craig as James Bond. Eva Green as Vesper Lynd. Mads Mikkelsen as Le Chiffre. Judi Dench as M. Jeffrey Wright as Felix Leiter. Giancarlo Giannini as Mathis.

Caterina Murino as Solange. Simon Abkarian as Alex Dimitrios. Jesper Christensen as Mr. Ivana Milicevic as Valenka. Claudio Santamaria as Carlos.

Tobias Menzies as Villiers. Sebastien Foucan as Mollaka. Malcolm Sinclair as Dryden. Richard Sammel as Gettler. Ludger Pistor as Mendel.

Joseph Millson as Carter. Daud Shah as Fisher. Clemans Schick as Kraft. Emmanuel Avena as Leo. Tom Chadbon as Stockbroker. Dayo Ade as Infante.

Urbano Barberini as Tomelli. Madame Wu as Tsai Chin. Charlie Levi Leroy as Gallardo. Lazar Ristovski as Kaminofsky. Tom So as Fukutu.

Veruschka von Lehndorff as Gräfin von Wallenstein. Daniel Andreas as Dealer. Christina Cole as Ocean Club Receptionist. Jürgen Tarrach as Schultz.

John Gold as Card Player. Jerry Inzerillo as Card Player. Diane Hartford as Card Player. Jessica Renae Miller as Dealer.

Paul Bhattacharjee as Hot Room Doctor. James Bond Omnibus - Vol. Thrilling Cities Ian Fleming Häftad. No Ian Fleming Häftad. Skickas inom vardagar.

Fri frakt inom Sverige för privatpersoner. They are easier to fight for than principles. But Bond soon discovers that there is far more at stake than money.

Kundrecensioner Har du läst boken?

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